The house I lived in until I was five years old was on a street lined with mid-sized homes, full of young families like ours. The kitchen floor was yellow linoleum tile with brown diamonds in the middle of each piece. The master bathroom had a massive, dark burgundy whirlpool and black-and-white checked tile floors. The brown carpet on the stairs was always scratchy.
One of the first memories I have at that house on Waverly Avenue took place in the middle of the summer, when I was about two years old. I was standing on our driveway – I remember putting my hands on the pavement and feeling how hot it was because of the sun. There was a wooden easel in front of me – one my grandpa had built me. It had a jumbo-sized pad of white paper on it, and there was a holder for my cup of water, where I had put my paintbrushes to soak.
My plastic palette of children’s watercolour paints lay abandoned on the driveway under the easel. I was too busy staring at my father’s paint station, which was set up beside mine. He had assembled a long table, and covered it with what I assume was an old sheet, or maybe a plastic table cloth. He was painting large beams of wood – maybe ten or twelve feet long – that would eventually be fastened to the outside of our house. I so badly wanted to use the big, fluffy roller-brush he had, instead of my small, plastic paintbrushes. My dad was using a dark brown paint – this was “grown-up” paint – I was only allowed to use my watercolours.
My paper pad had faint, watery paint streaks, drawn abstractly in what I assumed at age two was ‘art’. In my oversized tee-shirt and flip-flops (the pavement was too hot to go bare-foot), I asked my dad if I could help him. I wasn’t satisfied with my children’s paint set, my mini-easel, and my small paintbrushes. I wanted to be grown-up like him.
My dad said no.
I understood when I was older that he didn’t want me ruining the wooden beams he was painting. When I was two, all I understood was that I wasn’t allowed to use his paint set. So instead, I took one of my small paintbrushes, dipped it in water, and found the brown circle of paint on my watercolour palette.
I started to help my dad paint the wooden beams brown.
I don’t remember his reaction – maybe he laughed, maybe he took the paintbrush out of my hand. Regardless, he took an unpainted beam and set it down on the pavement – I was barely tall enough to reach his table – and he let me paint an entire side. I was even given a ‘grown-up’ paint brush (one with a wooden handle) and I had my own tray of brown paint. I was so excited at the prospect of helping my dad that I didn’t realize under years later that he had actually let me paint the back of a beam – the side being fastened to the house.
I don’t have any pictures of that afternoon, but I’m sure my white shirt was covered in brown paint by the end of the day. I can’t imagine how long it took my two-year-old self to paint the entire side of the beam, but I remember feeling overjoyed when my dad let me help with his painting project – I was a ‘grown-up’ in his eyes, even if it was just for the day.